纪录片《艺术，激情和力量 Art, Passion and Power 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

小小白

纪录片《艺术，激情和力量  Art, Passion and Power 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

Art, Passion and Power

Art, Passion and Power,Charles I's Treasures Reunited,Documentary,Great Art Series 1,Great Art Series 2,Henry VIII - Patron or Plunderer,Holbein: Eye of the Tudors (BBC 1080p),Milton's Heaven and Hell,National Treasures the Art of Collecting: Series 1,The High Art of the Low Countries (BBC),The Most Dangerous Man in Tudor England

艺术，激情和力量，查尔斯I的宝藏团聚，纪录片，大艺术系列1，Great Art系列2，Henry VIII  - 赞助人或掠夺者，Holbein：Tudors的眼睛（BBC 1080P），米尔顿的天堂和地狱，国家珍品的艺术收集：1系列，低国家的高艺术（BBC），是铎英格兰铎王妃最危险的人

Arts,Andrew Graham-Dixon,BBC,2018,English

Arts，Andrew Graham-Dixon，BBC，2018，英语


General Information：
Arts Documentary hosted by Andrew Graham-Dixon, published by BBC in 2018- English narration


一般信息：由Andrew Graham-Dixon主办的艺术纪录片，由BBC发表于2018年 - 英语叙述


Information
Andrew Graham-Dixon explores the history of the Royal Collection, the dazzling collection of art and decorative objects owned by the Queen. Containing over a million items, this is one of the largest art collections in the world - its masterpieces by Van Dyck, Holbein, Leonardo da Vinci, Vermeer and Canaletto line the walls of Windsor Castle, Hampton Court and many other palaces, museums and institutions around Britain.

Dangerous Magic
Andrew marvels at the works acquired by the great founders of the modern Royal Collection - Henry VIII and Charles I. Henry VIII deployed the most essential rule of royal collecting, that great art projects great power. Andrew decodes The Story of Abraham series of tapestries in Hampton Court Palace's Great Hall, explaining how these luxury artworks contain a simple message for his terrified court - obedience.
But Henry also presided over the first great age of the portrait in England; his painter, Hans Holbein the Younger, was a magician who stopped time, preserving the faces of Henry's court forever. Andrew visits the Royal Collection's set of over 80 Holbein drawings in Windsor Castle's print room to see how the artist helped the English to understand themselves in a new way.
Henry VIII tried to overwhelm with magnificence, but for Charles I art was a way to compete with other kings through taste. He was our first connoisseur-king and the greatest royal collector in British history. It was a fateful journey to Spain to win the hand of a Spanish princess that opened Charles's eyes to the works of Titian and Raphael. But his transformation into a world-class collector was sealed with the wholesale purchase of the enormous art collection of the impoverished Mantuan court. The greatest of the Mantuan treasures were Mantegna's nine-picture series of The Triumphs of Caesar that Charles installed at Hampton Court. They are themselves a visual depiction of how power - and art - passes from the weak to the strong. Charles was top dog for now - but for how long?
Andrew explores how Charles I's Royal Collection introduced a new artistic language to British art. The sensuality of Titian and the epic canvases of Tintoretto, still in the Royal Collection today, were a revelation for a country whose visual culture had been obliterated by the Reformation. And we see how Sir Anthony van Dyck created a glamorous new style for the king that could have served as a new beginning for British art. But this was a future that would never happen - the English Civil War and Charles I's execution put an end to this first great age of royal collecting, with the king's artworks sold in 'the most extravagant royal car-boot sale in history'.


Paradise Regained
In the year 1660, something miraculous began to happen. After the execution of Charles I, the Royal Collection had been sold off and scattered to the four winds. But now, with the restoration of Charles II, the monarchy was back. And with it their driven, sometimes obsessive, passion for art. Slowly but surely, new pieces were acquired, as others were returned out of fear of reprisal. The Royal Collection had sprung back to life.
Andrew Graham-Dixon tells the story of the Royal Collection's remarkable resurrection, following its fortunes from Charles II through to the 18th century and the enlightened purchases of George III. This is when some of the Queen's greatest treasures were collected - a magnificent silver-gilt salt cellar in the form of castle, kept in the Tower of London, a gold state coach, adorned with cherubs and tritons, and masterpieces by Vermeer, Canaletto and Leonardo da Vinci.
Andrew discovers the extraordinary peace offerings given to the 30-year-old Charles II by fearful citizens, because they had backed the Parliamentarians in the Civil War. And then there are works given by other countries, hoping to curry favour with the restored monarch - Holland gave sculptures, a yacht, a bed and a collection of paintings worth nearly £30 million in today's money, including two magnificent masterpieces by Titian that are still in the Collection.
At Windsor Castle, Andrew reveals Charles II's life of extravagance - this was a king who dined in public, as if he was a god, in an attempt to rival France's Louis XIV, the Sun King. His palace walls were hung with paintings of beautiful young women, the 'Windsor Beauties'. Even Charles's furniture speaks of excess - tables and mirrors completely covered in silver.
But Charles was also a king who bought wisely and Andrew is astonished by the recent discoveries of Royal Collection Trust conservators. Blank pages from Leonardo da Vinci's notebooks (most likely acquired in Charles II's reign) come alive under ultraviolet light, revealing drawings unseen for centuries.
Andrew shows how the Collection grew during the 18th century, despite philistine kings like George II ('I hate painting', he once shouted in his German accent). Under George III, royal collecting soared to new heights, driven by the new king's enlightened curiosity in the wider world and his desire to understand how it worked. Andrew travels to Venice to tell the story of one of the greatest purchases in the Royal Collection's history - as a young king, George III paid £20,000 to Canaletto's agent Consul Joseph Smith for a superb collection including over 50 paintings by the Venetian master.
George III, like Charles II, would be feted with gifts including the Padshahnama - an illustrated Indian chronicle of the Mughal emperor, Shah Jahan (famous for commissioning the Taj Mahal). Andrew discovers the incredible painting, so delicate that it was, legend tells us, painted with brushes made with hairs taken from the necks of baby kittens. Because of his restless curiosity, by the end of his reign George III had overseen some of the greatest acquisitions in the Royal Collection's history.


Palaces and Pleasuredomes
Andrew Graham-Dixon continues his exploration of the Royal Collection, the vast collection of art and decorative objects owned by the Queen. In the third episode he has reached the age of the Romantics - the flamboyant George IV who created so much of the visual look of the modern monarchy, and Queen Victoria and Prince Albert, for whom collecting was an integral part of their happy marriage.
As Prince of Wales, George was a famously loose cannon - a spendaholic prince whose debts ballooned in tandem with the royal waistline. But as a collector, Andrew argues, George was one of the great artistic figures of the Romantic age. His tastes were very much formed by the fallout from the French Revolution; as the great French aristocratic collections were broken up, an exodus of great art flooded into London's auction rooms - and George was there to buy them. He assembled a world-class collection of Dutch and Flemish masters, including key works by Rembrandt, Cuyp and de Hooch, as well as some of the greatest examples of French furniture ever produced, which Andrew sees in the state rooms of Buckingham Palace.
George IV was a natural showman and Andrew argues that his visit to Edinburgh in 1822 helped pioneer the modern monarchy's use of spectacle. But, like Henry VIII and Charles before him, George had the sense to partner up with an artist of genius - Sir Thomas Lawrence. The result of their collaboration is seen in a series of stirring battlefield portraits that line Windsor Castle's Waterloo Chamber.
Queen Victoria is often depicted as the uptight opposite of her louche uncle, but Andrew argues that, for her, art was just as important. This was a passion that she could share with her beloved husband, Prince Albert, who believed that learning how to make art was the best way to understand it.
Andrew visits Osborne House on the Isle of Wight, still filled with their art possessions, including marble facsimiles of the arms and legs of her infant children, commissioned by Victoria herself.
Andrew argues that Albert was a natural curator; he instilled a love for collecting in his children and compiled an early 'database' of the complete works of Raphael which he kept in his new 'print room' in Windsor Castle as a tool for art historians. But it is on the streets of South Kensington ('Albertopolis') that Andrew discovers Albert's real legacy - the museums and educational institutions here are a testimony to his vision for the area, purchased with the help of profits from the Great Exhibition.


Modern Times
Andrew Graham-Dixon explores how royal collecting has changed since the days of Queen Victoria. This is a story of the British monarchy's remarkable survival, while elsewhere the crown heads of Europe crumbled in the face of world wars and revolutions. But it is also an age when women took charge of royal collecting; from Victoria to Elizabeth II, queens and queen consorts have used art to steady the ship of monarchy during this uncertain age.
It's one of the curiosities of the Royal Collection that as the monarchy's power diminished, so too did the objects they collected. Gone were epic canvases, instead came objects of exquisite, delicate and intimate beauty. Andrew marvels at a selection of the royal family's collection of Faberge jewellery - one of the greatest in the world - that includes the Mosaic Egg from 1914. So taken were Edward VII and his wife Queen Alexandria with the works of Peter Carl Faberge, that the jeweller opened a London shop to service the demands of royal clientele.
And then there's Queen Mary's Dolls' House - presented to George V's queen to thank her for her steadfastness during the first world war, the Dolls' House is an astonishing artistic collaboration by over 1,500 people and companies, replete with books containing new stories by authors like Arthur Conan Doyle, tiny champagne bottles filled with real champagne and even mini shotguns that can be broken, loaded and fired. More than just a dolls' house, this is a three-dimensional archive of a vanished artistic age.
The Collection reveals fresh insights into these remarkable women, in particular HM the Queen Mother, who loved art and collected with flair. At Clarence House, Andrew discovers a surprising collection of contemporary British art that she assembled in the 1930s and 1940s, including works by Walter Sickert, LS Lowry, Paul Nash and Augustus John. Andrew traces her greatest commission, a series of 26 paintings of Windsor Castle by John Piper, painted during the Second World War. With Windsor at risk of being bombed, Piper created an eerie dreamscape filled with black skies and foreboding.
Andrew also brings royal collecting up to date. From the outset Elizabeth II's priorities had been focused on preserving and displaying the Collection, and Andrew shows how one of the key events in its recent history - the Windsor Castle fire - was an unlikely catalyst in the reform of the Collection's care. Concluding his exploration, Andrew meets HRH the Prince of Wales to view two of his recent commissions, powerful portraits of veterans of the Battle of Britain and the D-Day landings, and to discuss the continued importance of this remarkable collection.


Technical Specs
Video Codec: x264 CABAC High@L4.1
Video Bitrate: CRF 21.5 (~3226Kbps)
Video Resolution: 1920x1080
Video Aspect Ratio: 16:9
Frame Rate: 25 FPS
Audio Codec: AAC-LC
Audio Bitrate: Q=0.45 VBR 48KHz (~128Kbps)
Audio Channels: 2
Run-Time: 59 mins
Number Of Parts: 4
Part Size: 1.38 GB (average)
Source: HDTV
Encoded by: JungleBoy


信息Andrew Graham-Dixon探讨了皇家系列的历史，令人眼花缭乱的艺术品和女王装饰物品。含有超过一百万的物品，这是世界上最大的艺术系列之一 - 凡凡德克，Holbein，Leonardo da Vinci，Vermeer和Canaletto围绕温莎城堡，汉普顿宫廷和许多其他宫殿，博物馆和机构的墙壁在英国围绕着英国的巨大魔法安德鲁惊叹于现代皇家系列的伟大创始人收购的作品 - 亨利八世和查尔斯I.亨利八世部署了最重要的皇家收藏法治，这是伟大的艺术项目的强大力量。安德鲁解密亚伯拉罕系列挂毯的故事，在汉普顿宫殿的大厅里，解释了这些奢侈品Tworks含有一个简单的消息，为他的恐怖法院 - 顺从。但亨利也主持了英格兰肖像的第一个伟大的年龄;他的画家汉族霍尔贝斯年轻人，是一个停止时间的魔术师，永远保留了亨利的球场的面孔。安德鲁访问皇家集合的80多个Holbein图纸，在温莎城堡的打印室中，了解艺术家如何以新的方式帮助英语.Henry VIII试图压倒壮丽，但对于查尔斯，我艺术是一种竞争的方式与其他国王通过味道。他是我们的第一个鉴赏家 - 王和英国历史上最伟大的皇家收藏家。这是一个有趣的西班牙旅行，赢得了一个西班牙公主的手，将查尔斯的眼睛夺到泰国和拉斐尔的作品。但他的T.恢复到世界级的收藏家中被批发购买巨型艺术收集贫困码头法院的批发。 Mantuan Guistures最大的是Mantegna的Nine-Picture系列的Chesar胜利，Charles在Hampton Court安装。它们本身就是一种视觉描写的力量和艺术如何从弱势到强者。查尔斯现在是顶级狗 - 但是对于多久？安德鲁探讨了查尔斯我的皇家系列如何向英国艺术推出一种新的艺术语言。 TINTORETTO的TITIAN和TINTORETTO的史诗画的患者仍然在今天的皇家收藏中，这是一个录取的国家，其视觉文化被改革被抹杀。我们看到Anthony Van Dyck如何创造迷人的新风格这位国王可以作为英国艺术的新开端。但这是一个永远不会发生的未来 - 英国内战和查尔斯我的执行结束了这个皇家收集的第一个伟大的年龄，国王的艺术品在“历史上最奢侈的皇家汽车启动销售”.Paradise在1660年重新获得，一些奇迹般的开始发生。执行查尔斯I后，皇家收藏已经被淘汰并分散到四风。但现在，随着查理II的恢复，君主制回来了。并随着他们的驱动，有时强烈，对艺术的热情。慢慢但肯定地，获得了新的碎片，因为其他人被害怕报复。皇家收藏率先恢复了生命.Andrew Graham-Dixon讲述了这个故事oF皇家收藏的复活，从查理二到18世纪到达18世纪和乔治三世的开明采购。这是其中一些女王最大的珍品被收集 - 一个壮丽的银色镀金酒窖，以城堡的形式，保存在伦敦塔，一位金州教练，装饰着小天使和氚龙，梅拉雅德和坎阿雷特和杰尔Leonardo da Vinci.Andrew发现了令人恐惧的公民给30岁的Charles II的非凡和平产品，因为他们在内战中支持了议员。然后有其他国家的作品，希望咖喱咖喱伴随着恢复的君主 - 荷兰给雕塑，游艇，床和一个价值的绘画近30英镑在今天的金钱中，包括塔里亚的巨大杰作，仍然在收藏中.Dandsor城堡，安德鲁透露了查尔斯二世的奢侈生活 - 这是一个在公共场合着火的国王，仿佛他是上帝，似乎是一个勇敢的，仿佛他是一名上帝，试图竞争对手法国的路易十四，太阳王。他的宫殿墙壁悬挂着美丽的年轻女性的绘画，“温莎美女”。即使是Charles的家具也讲过量的桌子和镜子完全覆盖的银色.But Charles也是一个明智地购买的国王，安德鲁最近发现了皇家收藏信托保险柜的发现。来自Leonardo da Vinci的笔记本的空白页（最有可能在Charles II's Reign收购）在紫外线下活着，揭示了Centuries看不见的图纸.Andrew展示了如何他收集在18世纪，尽管是乔治二世这样的非利士国王（'我讨厌画'，他曾经在德国口音中喊道）。在乔治三世，皇家收集到新的高度飙升至新的国王在更广阔的世界中的发挥作用以及他理解它的工作方式。安德鲁向威尼斯致辞讲述皇家收藏历史上最伟大的购买之一 - 作为一位年轻的国王，乔治三世支付了20,000英镑的Canaletto的代理领事约瑟夫史密斯，包括威尼斯大师50多个绘画。像Charles II一样，乔治III将被迷住在内的礼物，包括Padshahnama  - 这是一个被宣传的Mughal Emperor，Shah Jahan（曾召开泰姬陵而闻名）的印度纪事。安德鲁发现了令人反感的绘画，如此微妙，传说告诉我们，用从婴儿小猫脖子上取出的毛刷画了刷子。由于他不安的好奇心，在他的reign george III的结束时已经监督了皇家收藏历史上的一些最大收购.Palaces和Pleasuredomes Andrew Graham-Dixon继续他探索皇家收藏，这是广阔的艺术和装饰物品由女王拥有。在第三集，他已经达到了浪漫主义者的年龄 - 华丽的乔治四世纪撰写了如此多的现代君主制，女王维多利亚和阿尔伯特王子，为他们幸福婚姻的一个组成部分。威尔士王子，乔治是一个着名的松动的大炮 - 一个债务b的普通王子与皇家腰围的串联零售。但作为收藏家，安德鲁争辩说，乔治是浪漫时代的伟大艺术象征。他的口味是由法国革命的堕落形成的非常重要;随着伟大的法国贵族收藏群体被分解，伟大的艺术漏洞淹没在伦敦的拍卖室 - 而乔治在那里购买它们。他组建了一系列世界级的荷兰和佛兰芒大师，包括伦勃朗，库姆斯和德哈奇的关键作品，以及有史以来的法式家具的一些最大的例子，其中安德鲁在白金汉宫宫殿中看到了IV是一位自然的举办昭曼，安德鲁辩称，他在1822年的爱丁堡的访问有助于先进现代君主制的奇观。但是，像亨利八世一样在他面前的查尔斯，乔治有一个与天才艺术家合作的意义 - 托马斯·劳伦斯爵士。他们合作的结果是在一系列搅拌的战场肖像中看到，线上温莎城堡的Waterloo会议。Queen Victoria往往被描绘成与她的Louche叔叔相反的上衣，但安德鲁认为，对于她来说，对她来说，艺术同样重要。这是一个激情，她可以与她心爱的丈夫，艾伯特共享，他们认为学习如何制作艺术是理解它的最佳方式。曾在怀特岛上访问奥斯本房子，仍然充满了他们的艺术财产，包括她的婴儿儿童的武器和腿部的大理石传真，由维多利亚·赫尔福尔德委托。曾辩称，阿尔伯特是一个自然策展人;他灌输了一种爱为了在他的孩子中收集并编制了一个早期的“数据库”，其中Raphael的完整作品，他在Windsor Castle中的新“印花室”中作为艺术历史学家的工具。但它位于南肯辛顿（'albertopolis'）的街道上，安德鲁发现了阿尔伯特的真实遗产 - 这里的博物馆和教育机构是他对该地区的愿景的证词，从伟大的展览中购买了利润。 Andrew Graham-Dixon探讨了自维多利亚女王的日子以来皇家收集的变化。这是英国君主制的卓越生存的故事，而其他地方的欧洲皇冠负责人面对世界大战和革命。但是当女性负责皇家收集时，这也是一个年龄;从维多利亚到伊丽莎布Eth II，Queens和女王联盟已经使用艺术稳定在这个不确定的皇家期间君主制的船舶。它是皇家收藏的一个好奇石，因为君主制的力量减少，所以他们收集的物品也是如此。史诗般的画廊一世走了，而是来到精美，精致和亲密的美丽。安德鲁·奇迹在皇家家庭馆藏珠宝集中 - 世界上最伟大的荣耀 - 其中包括1914年的马赛克蛋。所以被认为是爱德华七世和他的妻子女王亚历山大，与彼得卡尔·布布格的作品，那个珠宝商开设了一个伦敦商店，为皇家客户提供服务。然后那里有玛丽的娃娃的房子 - 展示给乔治·沃尔·王后，在第一次世界大战期间感谢她的坚定不休虑娃娃房子是超过1,500多家公司的令人惊讶的艺术合作，用亚瑟柯南多伊尔等作者含有新故事的书籍，这是一个充满真正的香槟的小香槟瓶，甚至可以破碎，装载和解雇的迷你霰弹枪。不仅仅是一个娃娃的房子，这是一个艺术时代的三维档案。收集揭示了对这些非凡的女性的新见解，特别是亨累斯母亲，他喜欢艺术和用天赋收集。在Clarence House，Andrew发现了一个令人惊讶的英国艺术品，她在20世纪30年代和20世纪40年代组装，包括Walter Sorkert，LS Lowry，Paul Nash和Augustus John的作品。安德鲁追溯她最大的委员会，这是一系列的温莎绘画John Piper r Castle，在第二次世界大战期间涂了画。随着Windsor有被轰炸的风险，Piper创造了一个充满黑色天空的令人毛骨悚然的令人毛骨悚然的Dreamscape和Foreboding.Andrew也带来了皇家收集了最新的。从一开始就是伊丽莎白II的优先事项一直专注于保留和展示集合，并且安德鲁展示了最近历史上的关键事件之一 - 温莎城堡火灾 - 在收集的护理改革中是一个不太可能的催化剂。结论他的探索，安德鲁遇见了威尔士王子，以观察他最近的两个委员会，英国和D日登陆等退伍军人的强大肖像，并讨论了这一非凡系列的持续重要性。技术规范视频编解码器：x264 cabac high@l4.1视频bITRATE：CRF 21.5（〜3226Kbps）视频分辨率：1920x1080视频宽高比：16：9帧速率：25 fps音频编解码器：AAC-LC音频比特率：Q = 0.45 VBR 48KHz（〜128Kbps）音频通道：2运行时： 59分钟数零：4份尺寸：1.38 GB（平均）来源：HDTV编码：Jungleboy

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

纪录片《艺术，激情和力量  Art, Passion and Power 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

下载地址：

游客
文件下载链接就在这里，在您回复评论成功后才能显示。
请勿回复无意义的灌水内容。

下拉页面到最底部回复或者【点击此处快捷回复】，回复后返回此处即可查看下载链接。
如您没注册本站会员，可以点击注册本站，注册后即可回复下载。