剧情电影《石榴的颜色》-蓝光4K/1080P/720P/360P高清标清网盘BT迅雷下载小众纪录片电影下载

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剧情电影《石榴的颜色》-蓝光4K/1080P/720P/360P高清标清网盘BT BT下载小众纪录片电影下载

电影《石榴的颜色》，这部电影在其他国家或地区也被叫做或翻译为《红尘百劫(港) / ?????-???? / Sayat Nova / The Color of Pomegranates / Colour of Pomegranate / Red Pomegranate》。影片于1969正式上映。是一部剧情类型的影片，情节非常引人入胜，这部电影的导演是谢尔盖·帕拉杰诺夫，这也是他的代表作品，在接受采访时他说，为了拍摄这部电影，他筹备了很长时间。主演阵容也是非常的强大，演员Onik·Minasyan,Yuri·Amiryan,Zh.Gharibyan,Aleksandr·Dzhanshiyev,米尔克·阿尔克桑亚,I.Babayan,Guranda·Gabunia,Medea·Djaparidze,索菲柯·齐阿乌列里,高吉·格吉奇科里,Medea·Bibileishvili,维勒·加尔斯特亚,Spartak·Bagashvili,T.Dvali,Hovhannes·Minasyan等都参与了演出，而且在剧中表现都非常可圈可点，影片的制片和出品地区是在苏联，在这里拍摄非常符合影片的人物设定和场景还原，这种影片的场景也非常贴合剧情需要。影片上映的评分是8.6，目前的评分基本和它的口碑一致。好的电影有好的评分，差的影片自然也是有低分和吐槽。

剧情梗概：
影片部分根据18世纪亚美尼亚诗人SavatNova的生平拍摄，但更多地是以诗句代替了诗人的形象。全片几乎没有对白，主要是旁白和剧中人自言自语。无法用文字概括该片的内容，而且每个人都有权利按自己的方式诠释它。影片几乎从头到尾都是精彩瞬间，电影语言的诗化、色彩的明艳、构图的奇特均衡、内容上的仪式感、宗教感和展现的民族传统文化，都使影片具有超凡脱俗、特立独行的品质。影评：试图用文字概括这部影片的内容，基本上是一种荒谬的想法，而且对于亚美尼亚传统文化和宗教无法了解太多的我们，甚至无法完整说出哪怕一个细节所提供的含义。但对于这样一部风格鲜明突出的杰出影片，如果是因为无法描述而使一些朋友失之交臂的话，那对于我们这个每日碟评栏目来说，是个不可推卸的责任。所以，尽管以下文字仅仅是提供一个视觉概况和大意揣测，也显露出编辑作者的浅薄无知，我们还是做出一篇碟评，供大家参考批评。我是一位生活和内心充满痛苦的人。石榴的颜色，就是血的颜色，它带着利刃的创痛。我生活在一个富足的家庭，从小受到父母的无上宠爱。我从小就生活在严谨而温和的宗教氛围之内，在寺院中博览群书。我们民族的生活是多姿多彩的，女人们赤足清洗着地毯、男人们把线染成各种鲜艳的颜色，我们向骑白马的圣乔治顶礼致敬，通过浴室的窗户我见到了世界上最完美的乳房。我成长为一个苍白清俊的青年，学习音律的同时，我也在生命中第一次爱上了一个女孩，她是我一生的女神，我们在对方心里寻找着自我。在富饶美丽的生活中，我得到的只是痛苦。我们享受着宫廷一般的社交、游玩、骑猎，但内心是无限的空虚。我们为自己的爱寻找一个庇护所，但正相反，这是一条通向死亡谷之路。我怎么用蜡做成爱的城堡，面对你炽热的火焰：你是火，你的衣服是火；我是火，我的衣服是黑色。为了寻找自己的庇护所，我寻找了每一间修道院，我成了一名神父。我们的父亲，我们的宗教领袖拉扎路斯逝世了，天上仁慈而权威的父亲失去了最得力的权杖，我在圣堂中埋葬了我们的精神之父——葬礼上挤满了温顺的羔羊。我仿佛回到了童年，又见到慈爱的双亲，狂风骤起，将我从梦中惊醒。我看清了一切，奇怪的是很不文明。我明白是生活抛弃了我，我开始了自我流放的游吟诗人的生涯。我是一个生活和内心充满痛苦的人，在祖国的大地上流浪也无法止歇我的忧伤，我知道，等待我的最终将是死亡。我去了，两个小天使把我带到通往死亡谷之路，他们还没有忘记带上我的木琴，也许我将在天堂为我的父亲歌唱。这部色彩鲜艳、民族风味浓重、宗教感仪式感极其强烈的影片，是前苏联“最后一位天才导演”帕拉杰诺夫着名的“诗电影”杰作之一。影片描述的是亚美尼亚一位十八世纪游吟诗人的故事，这不是一部传记影片，而是一首关于这位诗人的精神影像的诗歌。篇中运用大量象征、隐喻手法，展现了十八世纪亚美尼亚民族风貌和这位诗人的心路历程。欣赏这部影片，不仅仅是一次观影，更是一次朝圣，一次对诗意精神的膜拜之旅。这张DVD中，还有一个20分钟的帕拉杰诺夫自述纪录片，虽然无法看到原长50分钟的全貌，但对于我们了解这位天才还是极为有益的。对于导演工作，帕拉杰诺夫说：“我相信，你必须生来就是一个导演，它就象十个童年的冒险。”此外，一个10分钟的静物“写生”短片也值得一看。这个不知题目（有俄语？原文）的短片，如静物写生一样，描述了民族风格的花盆、椅子，古老油画上的男人、女人，生活中略现残破的建筑、雕塑。不知导演用意为何，但透露出对传统文化的钦敬，同时也流露出对传统文化被时间吞噬的一种失落感。导演背景介绍:前苏联导演帕拉杰诺夫（SERGUEIPARADJANOV，1920-1990）一生仅以四部剧情长片呈现于国际，但他那结合诗、绘画、民俗志的独特影象风格，却使得他紧随在塔可夫斯基左右，成为电影史上两朵异样奇葩，烁烁闪耀着。他之所以和塔可夫斯基相提并论在于：他们的电影都是诗的，亦即把俄罗斯传统的抒情诗融入影象里，成就影象诗或诗的影象。此外，两人也都乐于采用非习惯性的叙事。然而，在整个电影风格上，帕拉杰诺夫离传统更远，更狂野，也更倾向绘画。帕拉杰诺夫的独特风格来自于他的亚美尼亚血统，那属于高加索的神话传说，以及回教与基督教交错的宗教圣灵，是他所有创作汲取的灵感源泉。他的作品将高加索的草原复活在中世纪的时空下，隐隐透露出一个着魔的宇宙，神秘而诡异，并充满强烈的仪式性质，人和动物在其中不面沦为牺牲祭品。这些与土地偎依的人物，在帕拉杰诺夫的镜头下具有庄严的美，乍看俨然如图画里的宗教圣像，而失去了写真性。而所有人物的心理都没有加以刻画，主角通常摆荡在牺牲、服从和热烈追寻自由中，最终毫无动作，也无作为，只是在土地上生与死，因为帕拉杰诺夫从不以连续性的叙事来描述人物的遭遇。然而，帕拉杰诺夫的电影较接近图画电影或照片电影。摄影机定住不动，摄入一张张照片式的影象，影象有如一幅幅中世纪的壁画、或拼贴的画作，所有的物质都呈现在同一平面上，没有透视与景深，宛如被禁闭在画框里无法移动向外，却又象向镜框外作无限延伸。可知，帕拉杰诺夫不只专擅电影，对诗与画也十分娴熟。他一生集诗人、短篇作家、画家、和导演于一身，各类作品都相当丰富。他去世后的隔年，亚美尼亚共和国EREVAN市政府将他故居改成博物馆，开放给公众，陈列他的绘画、拼贴、手稿、家具、海报等，展现他一生不寻常的创作经历。1924年出生于乔治亚首府TBILISSI的帕拉杰诺夫，父亲是个古董商，母亲是当地的美女。他中学进的是音乐学校学声乐和小提琴，并参加绘画和壁画课程，也参与戏剧演出，后来他的戏剧教授督促他报考莫斯科电影学校（VGLK）。1946年，他考入VGLK，受教于导演IGORSAVTCHENKO。第二年，他与一群TBILISSI同学因夜晚荒唐行径及同性恋嫌疑被捕——这是他首次尝到牢狱之灾。帕拉杰诺夫叛逆个性使他象冷战时期的不少苏联导演一样，动辄被控以莫须有的罪名而羁狱。隔年被释放后，IGOESAVTCHENKO找他担任一部新片的助导，并让他导十分钟的一个段落。1951年，他在莫斯科和一个靼旦大学女生结婚，但她的家人为报复而杀了她。帕拉杰诺夫乃在第二年搬到基辅，进入基辅的杜普仁科制片厂，与人合导两部片。终于在1958年执导自己的第一部长片，那是一部有关爱情的音乐喜剧。这期间，他有了第二次婚姻，对象是个外交官的女儿。1961、62年，他各有了一部长片，但这三部影片未在基辅以外地区上映。1965年，国际影展首次认识帕拉杰诺夫导演。他前一年拍摄、为纪念乌克兰作家MIKHAILKOTSIOUBINSKI百年诞辰而改变自其短篇小说的《被祖先遗忘的阴影TENIZABYTYHPREDKOVI》先在MARDEPLATA影展获最佳导演和评审特别奖，接着被选参加旧金山、罗马、蒙特利尔的影展。影片在莫斯科的一间大电影院推出时，观众在赞赏中有所保留，尽管如此，并无法使此片作更大范围的发行。此后，帕拉杰诺夫多次公开声援被官方逮捕的知识分子，终于把自己也拖入险境。1973年12月，他从莫斯科旅游归来，旋被当局逮捕审问，并入狱。莫斯科电影界在圣诞节时获知他被捕的消息，隔年年初，此消息被欧洲的报纸转载登出，帕拉杰诺夫被控“同性恋”罪名，判决五年的劳改营。同时，一个被盗印的《石榴的颜色》版本被偷运出国，引起国际关注，欧洲电影界组成一个帕拉杰诺夫声援团向苏联施加压力，经过法国作家阿拉贡的奔走，他才在三年后获释。此后，他的几个拍片计划都未蒙通过，生活陷入窘境。1982年，又在老家被KGB逮捕，控告他用几壶酒贿赂官员让他的侄儿进大学，所幸入狱半年多即被释放。1983年，苏联的政治逐渐松绑，他才有机会拍摄20分钟的短片《苏哈密堡垒的秘密LEGENDAOSURAMSKOJKREPOSTI》。本片在1986年参加鹿特丹影展，大受好评。此时他已定居在EREVAN，拍摄机会源源不绝。1987年的《吟游诗人ACHIKKERIB》受邀伦敦及纽约影展，并在1988年第一次获准出国参加鹿特丹影展。迟来的荣誉对于已迈入老年的他似乎带点苦涩。1990年，他因呼吸道并发症时时于EREVAN。7月，他的灵柩被移往亚美尼亚伟人纪念馆，沿途有五万多人追随他的行列。二：关于本片背景知识介绍：本片人物：莎耶特．诺瓦介绍《石榴的颜色COLOROFPOMEGRANATES》（1969）原名《莎耶特．诺瓦SAYATNOVA》，诺瓦是十八世纪亚美尼亚着名的吟游诗人，年轻时曾受到格鲁吉亚的国王赏识，被召入宫，成为宫廷诗人，晚年则笃信宗教，成为僧侣，避世于修道院。帕拉杰诺夫在片头就告诉观众：“不要在影片中寻找诺瓦的一生。”他籍电影方法将诗影象化，只是打算呈现抒情诗人VALEIRBRIOUSSOV所说：“中世纪亚美尼亚的诗是雕刻在宇宙历史中人类精神最辉煌的胜利。”补遗：僧侣诗人萨雅·诺娃（1712-1795）出生于格鲁吉亚首都塔部利什附近一个村庄Sanahin，其父母为亚美尼亚人，在塔部利什做地毯。（与帕拉杰诺夫同为在塔部利什出生的亚美尼亚人），他原名为HaroutiunSayakian，年青时，他成了一名吟游诗人。活动于：格鲁吉亚、亚美尼亚、阿塞拜疆。而后被亚美尼亚人称之为“SAYATNOVA（歌王）”，比较有传奇色彩的是，他与格鲁吉亚王国安娜公主相爱了，因而被国王下令放逐。在亚美尼亚北部的一个修道院里度过残生。或许与本片有着一定联系就是：萨雅是由入侵格鲁吉亚的波斯王国士兵所杀害。



【影片档案：】
石榴的颜色
1969苏联剧情片电影
又名：红尘百劫(港) / ?????-???? / Sayat Nova / The Color of Pomegranates / Colour of Pomegranate / Red Pomegranate
类型：剧情片
地区：苏联
语言：亚美尼亚语
片长：79分钟
上映日期：1969
资源更新：2022/4/12
豆瓣评分：8.6分
演员：
Onik·Minasyan,Yuri·Amiryan,Zh.Gharibyan,Aleksandr·Dzhanshiyev,米尔克·阿尔克桑亚,I.Babayan,Guranda·Gabunia,Medea·Djaparidze,索菲柯·齐阿乌列里,高吉·格吉奇科里,Medea·Bibileishvili,维勒·加尔斯特亚,Spartak·Bagashvili,T.Dvali,Hovhannes·Minasyan

导演：
谢尔盖·帕拉杰诺夫

The film is shot based on the life of the 18th century Armenian poet Savatnova, but it is more replaced by the poet's image. There is almost no dialogue in the whole film, mainly by the narration and the players in the play to speak to themselves. The content of the film cannot be summarized in words, and everyone has the right to interpret it in their own way. The film is almost from beginning to end. It is a wonderful moment. The poeticization of the movie language, the bright colors, the peculiar balance of the composition, the sense of ritual, the sense of religion and the national traditional culture of the show all make the film have extraordinary, refined, mavericks alone, Quality. Film review: It is basically a ridiculous idea to try to summarize the content of this film in words, and we cannot understand too much about the traditional culture and religion of Armenian, and even the meaning of even the details provided by the details. However, for such an outstanding film with clear styles, if it is because of the unable to describe some friends, it is an irresistible responsibility for our daily disconsolation column. Therefore, although the following text only provides a visual overview and speculation, it also reveals the shallow ignorance of the editor. I am a person with pain in life and inner heart. The color of the pomegranate is the color of blood, which has the pain of sharp blades. I live in a wealthy family and have been loved by my parents since I was a child. I have lived in a rigorous and gentle religious atmosphere since I was a child, and explained in the temple. The life of our nation is colorful. Women barefoot the carpets, and men dye the thread into various bright colors. We pay tribute to San George, a white horse. Breast. I grew up into a pale and clear young man. While learning the rhythm, I also fell in love with a girl for the first time in my life. She is the goddess of my life. We are looking for ourselves in the other person's heart. In a rich and beautiful life, I only get pain. We enjoy the court's general social, play, and hunting, but our hearts are infinite empty. We look for a shelter for our love, but the opposite is the road to the valley of Death. How do I use wax to make the castle of love and face your hot flame: you are fire, your clothes are fire; I am fire, my clothes are black. In order to find my own asylum, I found each monastery, and I became a priest. Our father, our religious leader Lazarus died, and the benevolent and authoritative father in the heavens lost the most powerful scepter. Lamb. I seemed to go back to my childhood, and saw the loved twin again, and the wind suddenly woke up from my dream. I saw everything clearly, strangely uncivilized. I understand that my life abandoned me, and I started my self -exiled career. I am a person with pain in life and inner heart, and wandering on the land of the motherland can't stop my sadness. I know that waiting for me will eventually die. I went, the two little angels took me to the road leading to Death Valley. They have not forgotten to bring my wooden piano. Maybe I willParadise sings for my father. This film with bright colors, strong national flavors, and extremely strong sense of religious rituals is one of the \"Poetry Movies\" masterpieces of the former Soviet Union's \"last genius director\" Parajinov. The film describes the story of a poet in the eighteenth century Yam, which is not a biographical film, but a poem about the poet's spiritual image. The articles use a large number of symbols and metaphorical techniques to show the eighteenth century Armenian national style and the poet's heart journey. Appreciating this film is not only a movie viewing, but also a pilgrimage and a worship of poetic spirit. In this DVD, there is also a 20 -minute Parajinov's self -described documentary. Although it is impossible to see the full picture of the original 50 minutes, it is still very good for us to understand this genius. For the director's work, Parajinov said: \"I believe that you must be a director, it is like ten childhood adventures.\" In addition, a 10 -minute static \"sketch\" short film is also worth seeing. This short film that does not know the topic (with Russian? Original), like the sketching of still, describes the flower pots and chairs of the ethnic style, men and women in ancient oil painting, and a slightly broken building and sculpture in life. I don't know why the director's intention is, but revealing the respect of traditional culture, and at the same time, it also shows a sense of loss of traditional culture being devoured by time. Director background introduction: Former Soviet director SergeiParadjanov (1920-1990) only presented in the world with only four plots long films, but his unique image style combined with poetry, painting, and folklore made him tight Following around Takovsky, it became two strange strangeness in the history of the film, shining. The reason why he compared with Takovsky in: their films are poetry, that is, the Russian traditional lyrical poetry is integrated into the image, and the image of the image poem or poem is achieved. In addition, they are also willing to use non -habitual narratives. However, in terms of film style, Parajinov is farther, more wild, and more inclined to painting. Parajinov's unique style comes from his Armenian descent. It belongs to the myths and legends of Caucasus, and the religious Holy Spirit of Muslim and Christianity. His work resurrected the grassland of Caucasus under the medieval time and space, and he faintly revealed a magic universe, mysterious and weird, and was full of strong ritual properties. Human and animals were reduced to sacrifice. These characters with the land have a solemn beauty under Parajino's lens. And the psychology of all characters is not portrayed. The protagonist usually swings in sacrifice, obey, and warmly pursuing freedom. In the end, there is no action and inaction. Sexual narrative describes the character's encounter. However, Parajino's movie is closer to picture movies or photos. The camera does not move, and takes photos of photo -style images. The image is like a medieval mural or collage painting. All thingsThe quality is presented on the same plane. There is no perspective and depth of field. It is as if being closed and cannot move out of the frame, but it is like an infinite extension to the frame. It can be seen that Parajinov is not only good at movies, but also very skilled in poetry and painting. He gathered in his life poetry, short writers, painters, and directors, and all kinds of works are quite rich. The next year after his death, the EREVAN government of the Republic of Armenia changed his former residence to a museum and opened it to the public to display his paintings, collages, manuscripts, furniture, posters, etc., showing his unusual creative experience in his life. Born in Parajinov, who was born in TBILISSI, the capital of George Asia, his father was an antique dealer and his mother was a local beauty. His middle school entered the music school academic music and violin, participated in painting and mural courses, and also participated in the drama performances. Later, his drama professor urged him to apply for Moscow Film School (VGLK). In 1946, he was admitted to VGLK and was taught by director Igorsavtchenko. In the second year, he and a group of TBILISSI classmates were arrested for ridiculous behavior and homosexual suspicion at night -this is the first time he has tasted his prison. Parajinov's rebellious personality made him be charged with unnecessary charges like many Soviet directors during the Cold War. After being released the following year, Igoesavtchenko asked him to serve as a new film, and let him lead a segment of ten minutes. In 1951, he married a girl at a Dan Dan University in Moscow, but her family killed her for revenge. Parajinov moved to Kyiv in the second year, entered Kyiv's Dupencoury Studio, and co -guided two films with people. Finally directed his first film in 1958, which was a music comedy about love. During this period, he had a second marriage, the daughter of a diplomat. In 1961 and 62, he had a long film, but these three films were not released outside the region outside Kyiv. In 1965, the International Film Festival met Parajino for the first time. The previous year, he shot and changed the centennial birthday to commemorate Ukrainian writer Mikhailkotsioubinski. He changed his short story \"The shadow of the ancestor Tenizabyhpredkovi\", which won the Best Director and Review Special Award at the Mardeplata Film Festival. Film Festival. When the film was launched in a large movie theater in Moscow, the audience was reserved in appreciation. Despite this, it was not possible to make this film a larger distribution. Since then, Parajinov has repeatedly publicly supported intellectuals who have been arrested by officials, and finally dragged himself into danger. In December 1973, he returned from Moscow, and was arrested and interrogated by the authorities. Moscow's film industry learned about his arrest during Christmas. At the beginning of the following year, the news was reprinted by European newspapers. Parajino was charged with \"homosexuality\" and sentenced to five years of labor camp. At the same time, a stolen version of \"The Color of Pomegranate\" was stolen to go abroad, causing international concern. The European film industry formed a Parajinov's support group to press the Soviet Union.Li, after running through the French writer Aragon, he was released three years later. Since then, several of his filming plans have not passed, and his life has fallen into a dilemma. In 1982, he was arrested by KGB in his hometown, accusing him with a few pots of wine to bribe officials and let his nephew go to college. Fortunately, he was released for more than half a year in prison. In 1983, the politics of the Soviet Union gradually loosened, and he had the opportunity to shoot a 20 -minute short film \"The Secret of the Suhimi Fortress Legendaosuramskojkreposti\". The film participated in the Rotterdam Film Festival in 1986 and was well received. At this point he had settled in EREVAN, and the shooting opportunities were endless. In 1987, the \"Bard Poet Achikkerib\" was invited to London and the New York Film Festival, and was first approved to participate in the Rotterdam Film Festival in 1988. The late honor seems to be bitter for him who has entered the old age. In 1990, he was at EREVAN due to complications of the respiratory tract. In July, his spirit was moved to the Armenian Great Memorial Hall, and more than 50,000 people followed him along the way. Two: Introduction to the background of this film: Character: Shayat. Nova introduced \"ColorofPomegranates of Pomegranate\" (1969) (1969). \"Nova Sayatnova\", Nova was a well -known bard poet in the eighteenth century. When he was young, he was appreciated by the king of Georgia and was called into the palace. He became a court poet. In his later years, he believed in religion and became a monk. Parajinov told the audience at the beginning: \"Don't look for Nova's life in the film.\" His movie method will be costed, but he plans to present the lyrical poet Valeirbrioussov. \" The most glorious victory of human spirit in the history of the universe. \"Supplementary remains: monk poet Saya Nova (1712-1795) was born in a village Sanahin near the Georgian capital, Sanahin. carpet. (Ana Masania, who was born in the tower, was born in Taskin). His original name was Haroutiunsayakian. When he was young, he became a blooming poet. Activities: Georgia, Armenia, Azerbaijan. Then it was called \"Sayatnova\" by Armenians. What is more legendary is that he fell in love with Princess Georgian King Guoa, and was ordered by the king. Live in a monastery in northern Armenia. Perhaps a certain connection with the film is: Saya is killed by the soldiers of the Persian Kingdom invaded.

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剧情电影《石榴的颜色》-蓝光4K/1080P/720P/360P高清标清网盘BT迅雷下载小众纪录片电影下载

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石榴的颜色.1969.BD1080p.中文字幕.mp4
石榴的颜色.1969.BD1080p.中文字幕.mp4



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